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Zara Larsson is having quite the moment. Take a scroll through the pop music-obsessed side of Twitter and you’ll quickly find an onslaught of clips from her recently concluded gig opening for Tate McRae’s North American tour. There’s praise for Larsson’s vocals and dancing skills, and a fair amount of appreciation for her wardrobe of ab-bearing, brightly colored crop tops and mini skirts that twirl and twinkle as she moves her hips. “I really have felt love,” she tells W over Zoom. She’s not on Twitter, but her friends send through the positive stuff. The rest she sees herself on TikTok. “It’s interesting, though, because I feel like this album, so far streaming-wise, is not doing as well as my last album. But culturally, I feel like it’s way different.”
Yes, absolutely. It’s Versace 2003 and spring/summer 2004, a lot of Dior 2005. It’s a lot of chiffon, light materials that blow in the wind. There’s this beautiful, shiny chain skirt covered in stars. It’s from a designer named Alvaro [Machero]. I like the way it moves and shines. There’s also some 2010s in there, not really the swag era, but kind of the neon vibes. My dream is to have people dressing up as me for Halloween. I want my brand identity to be so strong that there is a look or silhouette that people see and think, “That’s Zara Larsson.” That’s my dream.
Zara Larsson Is Doing It for the Ladies
Zara Larsson shows off her body
Zara Larsson showcased her incredible figure as she stripped off and posed naked for her new album cover, Venus.














